Yesterday started out as a down day for me. So, after wrangling the checkbook into agreement with the bank statement, I had a playdate with myself–streaming classical music and jazz and painting for a few hours.
I rarely paint rocks because I think rocks are beautiful as nature made them, but this one inspired me. I still think it was better in its natural state, but there you go.
I received a total of 11 cards this time–one person I sent to replied with a card, which was a nice surprise. (The “swap” isn’t normally a direct exchange–Hanna sends you 10 names and your name is sent to 10 different people.)
Most of my cards were from the U.S., many from California. One is from Germany. Here are the cards I received:
After registering for iHanna’s spring postcard swap, I worried I might not have 10 cards ready by May 4, even though I already had five made.
I’m ready. In fact I’ve done a little painting and drawing recently, so maybe soon there will be be more than postcards to share.
My last post included four cards, so here are my newest creations:
* The faux 99 cent Australian stamps are by Nat Uhing, of the Smallest Forest blog.
One of the many things I love about art is that there are no mistakes and you can’t do it wrong. Sure there are failures, um, projects that don’t work, which can go right into the trash, but it’s all part of the process. Better still there are “happy accidents,” mistakes that enhance the finished product.
When I started doing postcards for swaps, about four years ago, I had no idea what I was going to do or how to do it. But knowing I have a good eye for color and composition, and a degree in art, I figured I’d learn technique as I went along. Much of my early cards were doodles in marker or quick watercolor sketches. Gradually I got into collage, where I had little experience. With a couple of jars of Mod Podge, an X-acto knife, scissors, a ruler and various card stocks and papers–and a whole lot of just playing and seeing what comes about–I’m probably making about half my cards in some sort of collage or mixed media. And it’s still a blast!
A recent card recipient asked me about my process, materials, and what happens in a swap, so rather than reply to her I thought I’d post it here, along with my most recent work. (Good swap info is on ihanna’s site.)
Since we moved into a house with space for a studio, I have a pretty good storage system–drawers, shelves, bins and–best of all, a large work table.
I get material everywhere: catalogs are printed on high-quality coated paper so they stand up well to adhesive; I cannibalize postcards and greeting cards; papers and card stock of all types; scrapbooking paper for backgrounds; magazines; calendars; stickers. Some material comes from the scrapbooking department of the craft store, but it’s mostly found objects. My favorite recent find is an empty Chinese cigarette packet–found in front of our house in Central Texas! I don’t know how I’ll use it, but I sure will.
Here is my recent output.
Remember, if you’d like a card mailed to you, email me your address, email@example.com. I will mail internationally.
My log of finished postcards since I began in May, 2014, is at about 150. Not quite the productivity I might like to have, but life keeps getting in the way. (Visit my other blog to find out how.)
One of my New Year’s Resolutions was to do at least one kind thing each day. That led to the idea of giving away my postcards, renaming them “Kindness Cards,” and asking the recipients to pass along any act of kindness they can.
I have managed to crank out eight cards this year. I went to a knitting and needle arts retreat last weekend and asked people to sign up for cards, so that got me working on cards as well as knitting! I’m finishing up some knitting projects, re-learning to crochet, and have a couple of stitchery projects at the ready, so there is never an idle moment with these hands.
Here are the 2018 Kindness Cards so far. If you would like to receive a card, email your address to firstname.lastname@example.org. I will mail internationally. All of these below have been sent, so if you request a card it will be new.
I spilled a container of paint water my granddaughter used yesterday (more on her paintings coming up), making it necessary to clean up the art table. After I finished cursing, I took the opportunity to tidy up the area, and realized I had a gold mine of material–images, stickers, maps, paper scraps, etc.–piled up in a basket, so I’m in the process or sorting, organizing, and finding a better place to file/store the material.
Because of our move from Austin to the Texas Hill Country, I didn’t participate in the Spring swap. It’s been so much fun getting back into making postcards. Here are the 10 that went into the mail today, plus one from earlier this year: #diypostcardswap
This was not part of the swap, but it’s the only other postcard I’ve made recently and it hasn’t been posted before.
Here it is placed on the wall of the studio, along with the first and second in the “cosmic” series, “Creation” and “Evolution.” (All are acrylic on masonite.) The first is dated 1979, the second 1980, so it took me an awfully long time to complete the cycle.
I’m excited to be getting back to art at all. Next I want to start making postcards again.
After four months of deciding to move, finding a place, selling the other place, moving, trying to settle into our new home…. I have a studio and I’ve finished a tiny bit of art!
This was a plain gray board with only the lettering on it. I bought it for a narrow space in our bathroom in the old house, with the intent of making it colorful, many months ago. The only thing I had done was the pale aqua wash. Turns out it doesn’t quite work in the space I had planned in the new house, but it’s still in the master bath, opposite the toilet, helping start my day on a bright and positive note.
Here is the before:
Chloe felt bad that I wasn’t doing much art, so yesterday she insisted we collaborate. She drew them in Sharpie, and I painted the middle one.
One of the best things about our new home is the studio space. Since I share it with a 10-year-old, it’s not very tidy, but there’s enough room for both of us and I have plenty of storage. (Chloe also has a drawing table in her room, but we keep messy work in the studio.)
Started last fall, this painting turned out to be tougher than I imaged from the original pastel sketch that inspired it:
And the holidays got in the way, followed by husband’s surgeries (three) and normal life with a 10-year-old granddaughter, who lives with us, and a dog, and all the other activities that keep me away from art.
The smaller one was also supposed to be a preliminary sketch, but I finished it after working out the color challenges on the large one. The color blending was difficult, especially at the boundary between yellow and violet, which (as I know from art school) are complimentary colors and, when mixed, turn neutral–beige.
The titles are homage to Carl Sagan.
The paintings are for sale. They are brighter than they photograph. Email me at email@example.com if interested.